Nicholas DamesTheodore Kahan Professor of HumanitiesEnglish and Comparative Literature603 Philosophy Hall, Mail Code 4927; New York, NY 10027
B.A. Washington University (1992); Ph.D. Harvard (1998). Nicholas Dames is a specialist in the novel, with particular attention to the novel of the nineteenth century in Britain and on the European continent. His interests include novel theory, the history of reading, and the aesthetics of prose fiction from the seventeenth century to the present. He is the author of Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870 (Oxford, 2001), which was awarded the Sonya Rudikoff Prize by the Northeast Victorian Studies Association; and The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction (Oxford, 2007). His scholarly articles have appeared in The Henry James Review, Representations, Novel, Nineteenth-Century Literature, Narrative, and Victorian Studies, as well as edited volumes such as Blackwell's Companion to the Victorian Novel, Oxford's Encyclopedia of British Literature, Cambridge's History of Literary Criticism, the Cambridge Companion to English Novelists, and the Blackwell Companion to Jane Austen. Alongside his scholarship, he has written on contemporary fiction and the history of the novel for The Atlantic, n+1, The New Yorker, and Public Books. He has been a recipient of Columbia's Presidential Teaching Award (2005), a Charles Ryskamp Fellowship from the American Council of Learned Societies (2005-6), the Lenfest Distinguished Faculty Award (2008), and the Mark Van Doren Award for Teaching (2013). In 2009 he served as Chair of the MLA's Executive Division on Prose Fiction, and from 2011-2014 he was Chair of the Department of English and Comparative Literature. He is a founding member and on the Executive Board of the Society for Novel Studies (SNS), and along with Prof. Susan Pedersen of the History Department he co-runs British Studies at Columbia. His current project is a history of the chapter, from the textual cultures of late antiquity, particularly the editorial and scribal practices of early Christianity, to the modern novel.