Julie Stone Peters

Julie Stone Peters

Research Interests

Biography

BA Yale, PhD Princeton, JD Columbia

Julie Stone Peters is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia and an affiliated Professor at Columbia Law School. She works at the intersection of law and humanities and media history, exploring performance, film, digital, and legal cultures from antiquity to the present.


Her most recent books are Staging Witchcraft Before the Law: Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials (Cambridge UP, 2024) and Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Oxford UP, 2022) (finalist for the Joe A. Callaway Prize, David Bevington Award, and Media Ecologies Association Book Award). Previous books include Theatre of the Book: Print, Text, and Performance in Europe 1480-1880 (Oxford UP, 2000) (winner of the ACLA’s Harry Levin Prize and English Association’s Beatrice White Award, and finalist for the Barnard Hewitt Award from ASTR), and the co-edited Women’s Rights, Human Rights: International Feminist Perspectives (Routledge, 1995). She is Co-Editor of the Elements in Legal Humanities book series, published by Cambridge University Press. She is currently writing a book about cameras, videos, and law in the 21st century.

Her more public-facing essays have appeared in the London Review of Books, New York Times Book Review, Slate, the Los Angeles Times, Public Books, Chronicle of Higher Education, Village Voice, and elsewhere.

At Columbia, Peters is affiliated with the Center for Comparative Media, Institute for Comparative Literature and Society, Institute for the Study of Sexuality and Gender, and Medieval and Renaissance Studies, spearheaded the Human Rights graduate certificate and undergraduate major, and serves as Co-Chair of the Theatre and Performance Ph.D. Program. She is the recipient of Guggenheim, Fulbright, NEH, American Philosophical Society, American Council of Learned Societies, and Humboldt Foundation fellowships, and was most recently a Global Professorial Fellow at Queen Mary University of London School of Law. She has taught at Harvard, Princeton, Stanford, and NYU Law School, and teaches regularly at the Metropolitan Detention Center in Brooklyn.

Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Oxford University Press, 2022). https://global.oup.com/academic/product/law-as-performance-9780192898494?cc=us&lang=en

Mapping Law and Performance: Reflections on the Dilemmas of an Interdisciplinary Conjunction: https://www-oxfordhandbooks-com.ezproxy.cul.columbia.edu/view/10.1093/oxfordhb/9780190695620.001.0001/oxfordhb-9780190695620-e-42

A Short History of Scaffold Tragedy c. 1650-1800: How a Classic Trope Salvaged the Spectacle of Punishment in the Age of Sympathy

Staging the Last Judgment in the Trial of Charles I https://doi.org/10.1525/rep.2018.143.1.1 

Penitentiary Performances: Spectators, Affecting Scenes, and Terrible Apparitions in the Nineteenth-Century Model Prison": https://www-jstor-org.ezproxy.cul.columbia.edu/stable/j.ctv346v7v.5?refreqid=excelsior%3Aa8b84a309f950e2272a603224b5fcfde&seq=1#metadata_info_tab_contents

Law as Performance: Historical Interpretation, Objects, Lexicons, and Other Methodological Problems: https://oxford-universitypressscholarship-com.ezproxy.cul.columbia.edu/view/10.1093/acprof:oso/9780190456368.001.0001/acprof-9780190456368-chapter-12

Theatrocracy Unwired: Legal Performance in the Modern Mediasphere: https://www-tandfonline-com.ezproxy.cul.columbia.edu/doi/full/10.1080/1535685X.2014.888200

Drama, Primitive Ritual, Ethnographic Spectacle: Genealogies of World Performance (ca. 1890-1910): https://read.dukeupress.edu/modern-language-quarterly/article-abstract/70/1/67/19623/Drama-Primitive-Ritual-Ethnographic-Spectacle?redirectedFrom=fulltext

Legal Performance Good and Bad: https://journals.sagepub.com/doi/10.1177/1743872108091473

Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre: https://muse.jhu.edu/article/242465

Performing Obscene Modernism: Theatrical Censorship and the Making of Modern Drama: https://link-springer-com.ezproxy.cul.columbia.edu/chapter/10.1057%2F9780230289086_12

Theatricality, Legalism, and the Scenography of Suffering in the Trial of Warren Hastings and Richard Brinsley Sheridan’s Pizarro: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/10.1525/lal.2006.18.1.15?seq=1#metadata_info_tab_contents

A ‘Bridge over Chaos’: De Jure Belli, Paradise Lost, Terror, Sovereignty, Globalism, and the Modern Law of Nations: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/4122558?seq=1#metadata_info_tab_contents

‘Literature,’ the ‘Rights of Man,’ and Narratives of Atrocity: Historical Backgrounds to the Culture of Testimony: https://digitalcommons.law.yale.edu/cgi/viewcontent.cgi?article=1304&context=yjlh

Law, Literature, and the Vanishing Real: On the Future of an Interdisciplinary Illusion: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/25486170?seq=1#metadata_info_tab_contents

Theatre of the Book 1480-1880 Print, Text and Performance in Europe, Julie Peters: https://global.oup.com/academic/product/theatre-of-the-book-1480-1880-9780199262168?cc=us&lang=en&

Women’s Rights, Human Rights: International Feminist Perspectives, Ed. Julie Peters and Andrea Wolper: https://www-taylorfrancis-com.ezproxy.cul.columbia.edu/books/e/9781315656571

 

Staging Witchcraft Before the Law: Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials (Cambridge UP, 2024): https://www.cambridge.org/core/elements/staging-witchcraft-before-the-law/5482BAAB92A91D52E0AE24B8B8DCC90A