Julie Stone Peters
BA Yale, PhD Princeton, JD Columbia
Julie Stone Peters is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia, an Affiliated Faculty Member at Columbia Law School, and a Global Professorial Fellow at Queen Mary University in London. She is an expert in law and humanities, performance (medieval to modern), and film and comparative media. Her most recent book is Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Oxford University Press, 2022). Previous publications include Theatre of the Book: Print, Text, and Performance in Europe 1480-1880 (Oxford University Press, 2000) (winner of the ACLA’s Harry Levin Prize, English Association’s Beatrice White Award, and an honorable mention from ASTR for the best book in theatre history), Women's Rights, Human Rights: International Feminist Perspectives (co-edited, Routledge, 1995), and Congreve, the Drama, and the Printed Word (Stanford UP, 1990). She has taught at Harvard, Stanford, and the Metropolitan Detention Center (Brooklyn), and is the recipient of fellowships from the Guggenheim Foundation, Fulbright Foundation, American Philosophical Society, American Council of Learned Societies, Humboldt Foundation, and elsewhere. At Columbia, she created the graduate certificate and undergraduate major in Human Rights, and currently serves as Director of Academic Careers Advising for PhD Students and Co-Chair of the Theatre and Performance Ph.D. Program. Her monograph, Staging Witchcraft Before the Law: Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials, is forthcoming from Cambridge University Press (Elements Series). Her more public-facing essays have appeared in the London Review of Books, Village Voice, Slate, Public Books, Chronicle of Higher Education, and elsewhere. She is co-editor of Cambridge Elements in Legal Humanities series, and is currently working on several projects: a book tentatively titled Genealogies of Global Performance: Early Anthropology, Travel Literature, Ethnographic Spectacle, and World Drama (c.1450-1850); a collaborative project, “Fragments for a History of the Legal Body”; and a set of essays on contemporary law and media.
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Oxford University Press, 2022).
Mapping Law and Performance: Reflections on the Dilemmas of an Interdisciplinary Conjunction: https://www-oxfordhandbooks-com.ezproxy.cul.columbia.edu/view/10.1093/oxfordhb/9780190695620.001.0001/oxfordhb-9780190695620-e-42
A Short History of Scaffold Tragedy c. 1650-1800: How a Classic Trope Salvaged the Spectacle of Punishment in the Age of Sympathy
Staging the Last Judgment in the Trial of Charles I: https://doi.org/10.1525/rep.2018.143.1.1
Penitentiary Performances: Spectators, Affecting Scenes, and Terrible Apparitions in the Nineteenth-Century Model Prison" https://www-jstor-org.ezproxy.cul.columbia.edu/stable/j.ctv346v7v.5?refreqid=excelsior%3Aa8b84a309f950e2272a603224b5fcfde&seq=1#metadata_info_tab_contents.
Law as Performance: Historical Interpretation, Objects, Lexicons, and Other Methodological Problems: https://oxford-universitypressscholarship-com.ezproxy.cul.columbia.edu/view/10.1093/acprof:oso/9780190456368.001.0001/acprof-9780190456368-chapter-12
Theatrocracy Unwired: Legal Performance in the Modern Mediasphere: https://www-tandfonline-com.ezproxy.cul.columbia.edu/doi/full/10.1080/1535685X.2014.888200
Drama, Primitive Ritual, Ethnographic Spectacle: Genealogies of World Performance (ca. 1890-1910): https://read.dukeupress.edu/modern-language-quarterly/article-abstract/70/1/67/19623/Drama-Primitive-Ritual-Ethnographic-Spectacle?redirectedFrom=fulltext
Legal Performance Good and Bad: https://journals.sagepub.com/doi/10.1177/1743872108091473
Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre: https://muse.jhu.edu/article/242465
Performing Obscene Modernism: Theatrical Censorship and the Making of Modern Drama: https://link-springer-com.ezproxy.cul.columbia.edu/chapter/10.1057%2F9780230289086_12
Theatricality, Legalism, and the Scenography of Suffering in the Trial of Warren Hastings and Richard Brinsley Sheridan’s Pizarro: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/10.1525/lal.2006.18.1.15?seq=1#metadata_info_tab_contents
A ‘Bridge over Chaos’: De Jure Belli, Paradise Lost, Terror, Sovereignty, Globalism, and the Modern Law of Nations: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/4122558?seq=1#metadata_info_tab_contents
‘Literature,’ the ‘Rights of Man,’ and Narratives of Atrocity: Historical Backgrounds to the Culture of Testimony: https://digitalcommons.law.yale.edu/cgi/viewcontent.cgi?article=1304&context=yjlh
Law, Literature, and the Vanishing Real: On the Future of an Interdisciplinary Illusion: https://www-jstor-org.ezproxy.cul.columbia.edu/stable/25486170?seq=1#metadata_info_tab_contents
Theatre of the Book 1480-1880 Print, Text and Performance in Europe, Julie Peters
Women’s Rights, Human Rights: International Feminist Perspectives, Ed. Julie Peters and Andrea Wolper