Courses

The Middle Ages have long been a source of inspiration for composers of opera. Since the midnineteenth century, mystery plays, troubadour lyrics, enigmatic tapestries, and Arthurian romances have all been showcased on the operatic stage; the last 30 years, in particular, have seen a spike in interest in reenergizing medieval culture for contemporary audiences. Designed for graduate and advanced undergraduate students interested in medieval literature and/or the history of lyric theater, this course excavates the medievalist turn in opera, from Wagner to the present day. We’ll ask questions about the nature of intermedial adaptation, the effect of staging in constructing or dispelling medieval allusion, the historically contingent politics of musical antiquarianism and revival, and the enduring appeal of the Middle Ages in the late twentieth and early twenty-first centuries. Along the way, we’ll read medieval texts from England, Germany, and Occitania, analyze recorded performances of musical works, visit medieval tapestries at the Cloisters, and take a trip to a much-anticipated new production of Wagner’s Tristan und Isolde at the Metropolitan Opera.