Courses

Arguably the most consequential decade of the postwar era, the 1960s saw American poetry become a site of radical experiment and political contestation, as longstanding assumptions of white male-dominated culture were placed under unprecedented pressure. This course traces that upheaval across movements—Beat, Black Mountain, Black Arts, New York School, San Francisco Renaissance. Poets to be studied include Allen Ginsberg, Russell Atkins, Gwendolyn Brooks, Amiri Baraka, Frank O'Hara, Jack Spicer, Charles Olson, N.H. Pritchard, Robert Creeley, Larry Eigner, John Ashbery, Diane di Prima, and Jayne Cortez. We will attend to questions of form—breath, the page, sound, performance, and the boundary between poetry and music—within the historical contexts of the Civil Rights, Black Power, feminist, gay liberation, and environmental movements.