• Sharon Marcus

    Orlando Harriman Professor of English and Comparative Literature
    308 Philosophy
    Office Hours:
    Tuesdays 3:00pm-5:00pm
    (212) 854-6403

    Areas of Interest :
    19th-century British and French literature, with a special focus on performance studies, theater, and the novel; literary theory; gender and sexuality studies
    Biography:

    Sharon Marcus is Orlando Harriman Professor of English and Comparative Literature at Columbia University, where her research and teaching focus on nineteenth-century English and French literature and history.  Her most recent book, The Drama of Celebrity, is forthcoming from Princeton University Press in 2019. From 2014-2017, she served as Columbia’s Dean of Humanities.

    Born in New York, Marcus earned her B.A. from Brown University and her Ph.D. from the Johns Hopkins University, both in comparative literature. After teaching for many years at the University of California, Berkeley, she moved to Columbia University in 2003. 

    Marcus’s scholarship explores how cultures assign value. Her first book, Apartment Stories: City and Home in Nineteenth-Century Paris and London (University of California Press, 1999), compared how two world cities handled, in fiction and in fact, new arrangements of domestic and urban space. Her second book, Between Women: Marriage, Desire, and Friendship in Victorian England (Princeton University Press, 2007), used novels, diaries, children’s literature, fashion magazines, and early anthropological writing to challenge the truism that Victorian England placed little value on relationships between women.  Between Women was translated into Spanish and won the Albion prize for best book on Britain after 1800, the Perkins prize for the best book contributing to the study of narrative, and Alan Bray and Lambda Literary awards for the best book in lesbian and gay studies. 

    An interest in literary theory and critical methods led Marcus to collaborate with Professors Stephen Best and Heather Love on two widely cited essays that ask provocative questions about how we interpret texts: “Surface Reading” (2009) and “Building a Better Description” (2016), both published in the journal Representations

    In 2012, with Caitlin Zaloom, Marcus co-founded Public Books, an online magazine that combines the best of old and new media, appealing to digital natives and late adopters alike by featuring great writing by scholars, artists, and activists on current books, arts, and ideas. Marcus has also written on literature, film, and gender for the New York Times Book Review, the Wall Street Journal, the Boston Globe, Pacific Standard Magazine, and the Chronicle Review.